The unveiling of the Adelaide Crows' new logo has sparked mixed reactions among fans, but a quirky detail has particularly caught the attention of AFL supporters, leading to widespread amusement. Observers have pointed out an uncanny similarity between the logo's talons and the viral dance pose of Raygun during her Olympic performance, resulting in a wave of humorous commentary across social media platforms.

Adelaide Crows' New Logo Draws Laughter Over Talons' Similarity to Viral Olympic Dance Move

Fans Find Humor in the Logo's Design

The AFL Fans Association, among the first to spot the comical resemblance, highlighted the similarity on social media. Their post quickly went viral, with fans expressing their amusement by stating, "Once you see it you can't unsee it." This comment ignited a flurry of reactions, with many praising the observation as "superb" and "magnificent." One user noted, "That is p*** funny," while another remarked, "This is golden, thank you for your service." Some fans even humorously suggested that Raygun should consider a copyright claim due to the unexpected likeness, showcasing the lightheartedness of the football community.

Adelaide Crows' New Logo Draws Laughter Over Talons' Similarity to Viral Olympic Dance Move

The Adelaide Crows' Brand Transformation

The introduction of this new logo marks a significant brand change for the Adelaide Crows, being the first redesign since 2010. Club CEO Tim Silvers stated that the logo is designed to reflect both the club's heritage and its vision for the future. He emphasized that the logo is an integral part of the club's identity, stating, "The throwback to the original swooping Crow reinforces our connection to this city and state by the way it now incorporates the actual shape of South Australia." Silvers asserted that the modernized appearance is intended to resonate with a younger generation of fans while celebrating the club's history.

Mixed Reactions to the New Logo

Despite the lighthearted amusement surrounding the logo's design, some fans expressed dissatisfaction with its simplicity. Criticism included comments such as, "It's like going from Windows 10 to Windows 98," which encapsulated the perception that the new design lacked innovation. Others compared it to Atari's retro designs, with one fan quipping, "I mean, if Atari had a screensaver in the 90's." Such remarks highlight the dichotomy in reactions to the new logo, illustrating how design can elicit both nostalgia and critique within the fanbase.